lydamorehouse: (Default)
I left Diversicon 19 with a huge list of things I need to read -- many of them are comicbooks, of course, but also on the list is a re-read of Milton and several young adult novels with new-to-me authors. (Also, the list of movies grows longer as well.)

Otherwise, I think the most awesome part of being a special guest was access to a minion. Shawn was truly horrified when, on Sunday, after our upstairs bathroom sink's plumbing decided to 'splode right before I was meant to leave for the con, I actually called my minion on the phone to request a special latte delivered to my first panel. Shawn is a traditional Minnesotan from the Iron Range, and the idea of actually _imposing_ on someone, even someone who says they're happy to do such things, is EVIl and WRONG and there is a SPECIAL place in HELL for those who would _impose!!!_

But I'm not from here. I'm from the East Coast (of the Mississippi, in Wisconsin,) where people are brassy and loud and demanding. I have no shame and I take people at their word. If they say they're my gopher and are happy to fetch things for me, I assume they mean it.

Which, of course, has caused no end of trouble for me here in the Norwegian stronghold of Minnehiem (see Steve Fox's post on Facebook about the Thor panel and how cool it would be to rename Minnesota "Minnehiem" in honor of the fact that the original Dr. Donald Blake/Thor is supposed to be a Minnesotan.)

The other cool thing about Diversicon and honorable guesting was the fact that I got to be on all the panels about the things I never usually get to talk about, which is to say comic books. Usually, I don't have enough expertise (being a mere fan) to rate a comic book/comic book movie panel, but I got to pull strings, as it were, and get myself a prime seat on both the Captain America panel and Thor. In other fun sidenotes, I am slowly corrupting Eleanor Arnason into a comic geek (at least as far as the movies are concerned. She asked me on the way home from Captain America, "Do you think comic books are modern mythology?" I said, "Of course!" Because, they are in so many ways. Like ancient myths they're popular, they're epic, ever changing through generations of storytelling, and they reflect the modern human's take on the questions about Truth and Honor and Heroism with the capital letters.)

I had a lot of fun. And I got to bond with David G. Hartwell over ties, as I was wearing several of my grandfather's ties at various times at the convention (on Saturday I had three "costume changes," though, alas, never into Tate's get-up.) He suggested that my grandfather was likely wearing the ties I favor sometime in the 50s and/or early 60s. I guess the slim, square-cut pink one I wore on Sunday really narrowed (pardon the pun) down the date, as those were only popular for a very short period.

That was fascinating to me, because the family story that came with the tie collection was that these were the ties that Grandpa wore to take my grandmother dancing. My grandpa was working class (having worked his whole life in a blue collar job at Trane Company), and many of these ties are very fancy indeed. Some are silk. It's interesting timing if this is accurate, because my father, the middle child, would have been a teenager in the mid-50s, and I always had had the sense that these dancing dates were earlier... perhaps they were simply a long standing tradition (which, frankly is quite romantic.)

I also got to reconnect with some people I don't see very often, and, in fact, am going to slip off later today to meet up with one, [livejournal.com profile] jiawen, at noon today. Hooray!
lydamorehouse: (Default)
Tonight, if you are so inclined, I would like to remind you to join me at Dreamhaven Books at 6:30 - 7:30 PM where I'll be part of a discusion with fellow Diversicon honored guests David Hartwell and John C. Rezmerski.

Friday, July 29:

7:00-7:30 PM, Main Stage (Soo Line)
Scott Lohman, MC; David G. Hartwell, John Calvin Rezmerski, Lyda Morehouse, Joan Slonczewski, Eric M. Heideman; Vincent Price, C.L. Moore, in absentia

9:30-10:25 PM, Main Stage
Fiction Reading: Lyda Morehouse reads from the work of Lyda Morehouse and/or Tate Hallaway

Saturday, July 30:

1:00-1:55 PM, Main Stage
Panel: The Future is Serious Dark for 16 Year Olds
From Scott Westerfield's Uglies to Suzanne Collins' Hunger Games (even the final Harry Potter book, to some extent) there are a surprising amount of very dark futures topping bestseller lists. On a related issue: Why are so many Young Adult SF/F heroines emotionally distant murderers?
Lyda Morehouse, mod.; S.N. Arly, Naomi Kritzer, David Lenander, Michael Levy

2:00-2:55 PM Krushenko's (Room 101)
Panel: Captain America: The Comic, the Legend, the Movie
We'll take a breezy tour of the history of Timely/Marvel's early super hero icon, created (1941-)by Joe Simon and Jack Kirby, then talk about the film that premiered July 22. Faithful rendition or fan fail? Did it live up to the hype, etc.? Current comic book lines we wish they'd tap for sequels.
Lyda Morehouse, mod.; Eleanor Arnason, Cynthia Booth, Roy C. Booth

3:00-3:55 PM Main Stage
Panel: YA Market Explosion
Some say science fiction hasn't produced many blockbusters in recent years, yet science fiction shows up constantly on Young Adult bestseller lists. Why? What's the crossover appeal of these works?
Lyda Morehouse, mod.; Roy C. Booth, Naomi Kritzer, Michael Levy, Joan Marie Verba

5:00-5:30 PM Railroad Lobby (near Registration)
Massive Autographing: David G. Hartwell, Joan Slonczewski, Lyda Morehouse, John Calvin Rezmerski, Roy C. Booth, Catherine Lundoff

Sunday, July 31:

Noon-12:55 PM Main Krushenko's Annex (Northern Pacific)
Panel: Thor: The God, the Comic, the Movie
We'll dip a bit into Norse mythology, dip a bit more into the comic created (1962-) by Stan Lee, Larry Lieber, and Jack Kirby, then consider the May movie. God-like or Thunderously Disappointing?
Lyda Morehous, mod.; S.N. Arly, Eleanor Arnason, Roy C. Booth, Terry Faust

3:00-3:55 PM Main Stage
Discussion: The Works of Lyda Morehouse and Tate Hallaway
Come, talk and ask questions about the work of our Special Guest and her mysterious alter ego.
David Lenander, mod.; Lyda Morehouse. Sponsored by the Rivendell Group, a fantasy-book discussion group that has met regularly since late 1973 or early 1974.

5:00-5:30 PM Main Stage
Closing Ceremonies
Scott Lohman, MC; David G. Hartwell, Lyda Morehouse, John Calvin Rezmerski, Eric M. Heideman; Joan Slonczewski, C.L. Moore, in absentia
lydamorehouse: (Default)
It's been pointed out to me that sometimes the way I say things on this blog (and probably in Real Life TM,) come off differently than I intended. For instance when I say that Diversicon is a tiny con, that was NOT meant as a dis in anyway. Small is awesome for many reasons, not the least of which is that a person can have real, meaningful and in-depth conversations in a way that isn't always possible at the bigger cons where there's just so much to do and see.

Some of my fondest con experiences have happened at Diversicon, specifically, and smaller cons in general, and what I was trying to express was great enthusiasm. In all honesty, I absolutely do think MORE people should come to Diversicon because, when they don't, they're missing out.

I really hope you (you know who you are!) will consider coming this year and giving it a try. Eric Heideman is an EXCELLENT program director and I know he also has a very talented staff working with him this year, as every year. You may know some of his programming tracks from CONvergence and/or anywhere Kruschenko's is found. Diversicon, in fact, is kind of like a larger version of Kruschenko's, so if you've enjoyed that, you'll LOVE Diversicon.

I also heard that it's not too late to sign up to attend, and, possibly with some begging, get on a programming panel or two (although don't hold me to that last one, as Diversicon IS next weekend.)

Anyway, I just wanted to make sure that no one read my last post in the wrong light. I adore Diveriscon and I'm extremely honored and grateful to have been given an oppotunity to be a guest there, especially when you look at the luminaries attending with me this year, and the caliber of people who have guested in the past. My only fault is that I think it's a shame that more people don't go. So, dang it, come this year! You'll be impressed.
lydamorehouse: (Default)
I don't have my list of appearances yet, but I wanted to remind everyone that Diveriscon (guest of honor, includes among others, *moi*) is NEXT WEEKEND (July 29 - 31).

Also:

On Thursday, July 28, the Speculations Readings Series presents a discussion: “Dark Descents, Ascending Wonders: The Worlds of Speculative Fiction” featuring DAVID G. HARTWELL, LYDA MOREHOUSE, and JOHN CALVIN REZMERSKI. See the Diversicon 19 Guests page for more about these three authors. The event will take place 6:30-7:30pm at DreamHaven Books, 2301 E. 38th St., Minneapolis.

Please, please, please, PLEASE come to Diversicon. It's a tiny little con, and, in all honesty I'm a little worried about being stuck there without someone as cool as YOU to talk to.

I promise to be as entertaining as possible.
lydamorehouse: (Default)

Saturday, August 4, 2007 CE:

11:00-11:50 AM                            Krushenko?s (Concierge)
Panel: Good Blog/Bad Blog -- Modern Technology and Artists
What modern technology is available for artists (for self promotion, research, etc.)? What purpose can a blog serve? What are the ways things can go wrong? Discussion boards -- good, bad, or dependent on how they're used? S.N. Arly, mod.; Melissa S. Kaercher, Greg L. Johnson, Rachel Kronick, Catherine Lundoff, Lyda Morehouse

1:00-1:50 PM                                   Mainstage (Beacon/Duchess)
Panel: The Politics of Battlestar Galactica
We'll talk about the politics that may or may not underpin the series, as well as the opinions expressed by various political commentators who've claimed the show for their own. Greg L. Johnson, mod.; Janice
Bogstad, Philip Kaveny, Scott Lohman, Lyda Morehouse

3:00-3:50 PM                                    Mainstage (Beacon/Duchess)
Panel: Why Doesn't Superman Look Like Me?
Comics have long been a stronghold of muscular Aryan men and buxom babes in skimpy costumes. There are more racially & culturally diverse characters now than ever before, but comics still fall short of being representational of real world diversity. Why are comics still associated with these archetypes that date back to the 1930's? Melissa S. Kaercher, Christopher Jones, co-mods.; Cynthia Booth, Lyda Morehouse

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