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lydamorehouse It's been a long time since I reviewed a comic book here. But, when I was working at Shoreview today, I saw that they had the first collected volume of FAITH.
Don't know if the picture thing is going to work, so I will describe the cover: Faith is a plus-sized white woman with blond hair. She's featured on the cover sitting on a telephone wire surrounded by confused-looking pigeons while she types something on her thinly-disguised Mac Book (the actual Apple logo is not there, but there's a perfectly round bit of light where it should be). She is dressed in a white outfit with a flowing train. Her cheerful face is illuminated by the blue computer light in the twilight. Her name, Faith, is in bright yellow almost comic sans font. The comic is produced by the independent publisher, Valiant.
What I like about Faith is not her size. It is refreshing to see a woman of substance doing the superhero-ing for once. It's even more refreshing that there's not a single lick of fat-shaming to be found in the title. The worst that happens in that vein is that Faith's ex's new girlfriend mutters, "You sure traded up."
What I ended up liking about FAITH, though, is that it starts to struggle with real-world issues of being a hero. As any of you who have read this blog for any amount of time (or who have heard me speak on comic book/graphic novel-related comic books) knows, I'm a big fan of this kind of thing.
I really like it when the concept of hero-ing is taken seriously.
In the second issue of FAITH, we see this dealt with in terms of collateral damage. Faith has gone to investigate a missing person report and the bad guy minion she encounters in the abandoned house has rigged the place to explode. Faith is protected because she has a kind of telekinetic shield, but the houses on either side of the abandoned house ALSO CATCH FIRE. I can't say you never see this sort of thing in comics because the Marvel Universe (both in the comic books and the MCU) have been very cognizant of the idea that superheroes are actually fairly hazardous to civilians, but I never get tired of seeing writers taking on this particular issue. Francis Portela does a great job showing the pain on Faith's faith in the aftermath. Generally, I should say that as much as I like Jody Houser's writing, it is very much highlighted by Portela's art style. (There also also funny imagined/day-dreamed asides/omake drawn by Marguerite Sauvage that were in a very distinct style that I also liked a lot.)
Also, FAITH fits a new trend in female comic lead characters. Like Kamala Khan, Faith is a fangirl. The dialogue is chock full of geek insider references. Faith even swears in "Firefly" Chinese, at one point. As a day job, Faith works for some kind of web content place, like io9 or Mental Floss (though with a more celebrity gossip bent, since this takes place in LA). Her colleagues are all pop culture nerds, and they have no idea she's a superhero in disguise. Did I like this or did it feel like it was trying too hard to appeal to the base? I'm not sure. Goodness knows, I appreciate any fan fic references.
The other issue FAITH addresses is the extent to which having a secret identity is socially isolating. I'm not sure how often that idea has been touched on before, but I found it very compelling here.
The last thing to know is that Zephyr/Faith has a history as a Valiant superhero. I'm not a big Valiant reader so I have to trust Wikipedia on this one, but apparently she was part of a superhero group (referenced in this reboot). Apparently, she was a walking fat joke (she was known as Zeppelin--she's dressed all in white and can fly) in a group called Harbingers (or maybe that was the title and her team was the Renegades?) At any rate, some of that bleeds through into this issue, but I can attest from experience (or perhaps LACK of experience) that it's not necessary to have read any of her previous appearances to appreciate this reboot.
I give is 3.5 out of 5 stars. My hesitations mostly hinge on the fact that I'm not sure I really needed all the nerd-sassy references, and that some of the issues touched on could have gone deeper, IMHO.
Don't know if the picture thing is going to work, so I will describe the cover: Faith is a plus-sized white woman with blond hair. She's featured on the cover sitting on a telephone wire surrounded by confused-looking pigeons while she types something on her thinly-disguised Mac Book (the actual Apple logo is not there, but there's a perfectly round bit of light where it should be). She is dressed in a white outfit with a flowing train. Her cheerful face is illuminated by the blue computer light in the twilight. Her name, Faith, is in bright yellow almost comic sans font. The comic is produced by the independent publisher, Valiant.
What I like about Faith is not her size. It is refreshing to see a woman of substance doing the superhero-ing for once. It's even more refreshing that there's not a single lick of fat-shaming to be found in the title. The worst that happens in that vein is that Faith's ex's new girlfriend mutters, "You sure traded up."
What I ended up liking about FAITH, though, is that it starts to struggle with real-world issues of being a hero. As any of you who have read this blog for any amount of time (or who have heard me speak on comic book/graphic novel-related comic books) knows, I'm a big fan of this kind of thing.
I really like it when the concept of hero-ing is taken seriously.
In the second issue of FAITH, we see this dealt with in terms of collateral damage. Faith has gone to investigate a missing person report and the bad guy minion she encounters in the abandoned house has rigged the place to explode. Faith is protected because she has a kind of telekinetic shield, but the houses on either side of the abandoned house ALSO CATCH FIRE. I can't say you never see this sort of thing in comics because the Marvel Universe (both in the comic books and the MCU) have been very cognizant of the idea that superheroes are actually fairly hazardous to civilians, but I never get tired of seeing writers taking on this particular issue. Francis Portela does a great job showing the pain on Faith's faith in the aftermath. Generally, I should say that as much as I like Jody Houser's writing, it is very much highlighted by Portela's art style. (There also also funny imagined/day-dreamed asides/omake drawn by Marguerite Sauvage that were in a very distinct style that I also liked a lot.)
Also, FAITH fits a new trend in female comic lead characters. Like Kamala Khan, Faith is a fangirl. The dialogue is chock full of geek insider references. Faith even swears in "Firefly" Chinese, at one point. As a day job, Faith works for some kind of web content place, like io9 or Mental Floss (though with a more celebrity gossip bent, since this takes place in LA). Her colleagues are all pop culture nerds, and they have no idea she's a superhero in disguise. Did I like this or did it feel like it was trying too hard to appeal to the base? I'm not sure. Goodness knows, I appreciate any fan fic references.
The other issue FAITH addresses is the extent to which having a secret identity is socially isolating. I'm not sure how often that idea has been touched on before, but I found it very compelling here.
The last thing to know is that Zephyr/Faith has a history as a Valiant superhero. I'm not a big Valiant reader so I have to trust Wikipedia on this one, but apparently she was part of a superhero group (referenced in this reboot). Apparently, she was a walking fat joke (she was known as Zeppelin--she's dressed all in white and can fly) in a group called Harbingers (or maybe that was the title and her team was the Renegades?) At any rate, some of that bleeds through into this issue, but I can attest from experience (or perhaps LACK of experience) that it's not necessary to have read any of her previous appearances to appreciate this reboot.
I give is 3.5 out of 5 stars. My hesitations mostly hinge on the fact that I'm not sure I really needed all the nerd-sassy references, and that some of the issues touched on could have gone deeper, IMHO.