Rogue One

Dec. 28th, 2016 08:09 pm
lydamorehouse: (ichigo being adorbs)
Things I can say above the spoiler cut:
  • I would say that Rogue One is one of those films that I left the theater feeling generally good about. Like, when I'm tossing away the remains of my popcorn bag, I'm saying, "Yeah, good film. Good film." But, the longer I think about it, the more I consider the missing bits. I still would rank this one of the better Star Wars films. I ADORED the way it dovetailed into Star Wars (known to you heathen children as "A New Hope.")
  • People were telling me that this film was a blueprint for fighting Fascism or that it was some kind of World War II film. It really isn't either of those things at all (though I wish it had been more of the latter, more about that under the cut). However, if this film saying anything political, it's that your liberal allies aren't revolutionary ENOUGH. If we're going to win at all, we need to say 'fuck 'em" TO OUR OWN PEOPLE. And that maybe, if we're already dying on the ground, they'll lend their ships. (Not sure this is a positive message. Might be accurate, but not at all positive.)
  • I didn't really like the two main characters (Jyne Erso, the daughter or Cassian Andor,he scruffy dude). My favorites were all side-characters, particularly the sassy K-2SO.
  • In comparison to The Force Awakens, I felt like 99.9% of the female cast was missing. Like, I just didn't see very many female faces among the rank-and-file, on the streets, or among the volunteers for the final mission. Ironically, some of the MIA women from Star Wars made cameos.
Okay, the stuff I'm going to say under the cut mostly revolve around two of my favorite side charters, affectionally known already in fandom as "the monk and the warrior." (character names: Chirrut Îmew and Baze Malbus, respectively.) Read more... )

Maybe that seems like a lot of complaining, but I'm still processing, is all. I'd love to hear squee about this film. Like I said, when I left the theatre I was very much in love with Rogue One.  Probably when I go see it again, I'll love it more.
lydamorehouse: (shield)
 I'm here in a Starbucks in Chicago, waiting for the SFWA Nebula Conference to wake up, so I thought I'd finally write down a few thoughts about Captain America: Civil War.  

Generally, I liked it.  There are a few things I think I can say about the movie 'above the cut.' as it were. Without spoiling, I want to talk about one of the fundamental differences between the movie and the comic book arc.  In the comic book, like the movie, there is an event that triggers a public outcry about the unchecked destruction that superheroes cause when they come blundering into situations, do their best, but sometimes civilian lives are lost.  In the comic book arc, the difference is that the destruction is caused, quite accidentally, by random "new" superheroes.  That's to say, "powered" people who have no affiliation with a superhero group like the X-Men or the Avengers.  As a result, part of what the public demands is a "superhero registration act" which not only requires any people with powers to offer themselves to the government, but ALSO requires long-standing superheroes to expose their secret identities as part of registration.

I think you can already see why, in the comic book version, someone from World War II might stop and say, "Uh... wait a minute... You gonna ask us all to wear stars next?"  (He had other really amazing observations which really resonated with everything that was happening during the time Civil War was written, which was during the Patriot Act, which DIRECTLY commented on things happening in the US.)

In the movie (and this isn't much of a spoiler, because, in many ways the movie is actually about Bucky's past), the accords only require the superheroes to subject themselves to oversight.  Now, the question is a lot more nebulous: who is in charge, what decisions do they get to make... ?  

But, what's missing in the movie is Captain America being far more articulate and CLEAR about why he, specifically, finds this situation squicky.  The thing that drove me absolutely buggy (later... because during the movie my only thoughts were: bam! crash! zap!) was that it was certainly all set up in the previous Captain America movies. All we would have needed is, during the scene where the gathered Avengers are looking over the accord (I do love that it's clear Captain America read EVERY PAGE) to have Cap say, "Guys, really? We're going to put our trust in a governing body... WHEN HYDRA WAS SECRETLY IN CONTROL OF S.H.I.E.L.D. FOR THE PAST FIFTY YEARS??"

MCU Captain America has a LEGIT reason not to want to sign something that gives away his decision making power to an organization he knows nothing about.

But, so. like, *I* thought of that, but it was _never_ said out loud by ANYONE in the movie.  

Which to me, made Captain America seem like a war-mongering vigilante.... which is... super not Captain America.

That's not to say there weren't things I loved. Again, no spoilers, but I thought Black Panther moved EXACTLY RIGHT.  I was having flashbacks to comic books I barely remember reading every time he did a jump or a four-point landing or a swipe with his vibranium claws.

Also, I loved Peter Parker/Spider-Man

Okay, a couple things I can't say without a spoiler block...
Read more... )So, those of you who saw it, what are your thoughts?
lydamorehouse: (crazy eyed Renji)
 Mild SPOILERS not under cut
.
.
.
.
 

Last night, I saw Ant Man with my usual MCU crew (Eleanor Arnason and Sean M. Murphy). I have to admit to some trepidation going into this film.  For one, I was never a huge Henry Pym/Ant Man fan when I read him in the Avenger comic books in the mid-1970s/early-1980s when he was, ironically, mostly Yellowjacket (and sometimes Giant Man).  Also, having heard that the Ant Man of the MCU would be Scott Lang, I was a bit worried that was like having a Captain America movie with John Walker wearing the cowl.

Generally, I have to say the movie was fun.  It was a good heist film, with a hilarious "crew" (which, let's be fair, included ants.)  I was particularly fond of Luis, whose only superpower, apparently, is his mean upper cut,  with which he reputably remains the only inmate to have successfully knocked out the meanest thug in San Quentin.  And, of course, his amazing storytelling style.  I think we should all start petitioning now for Luis to have his own comic book title. (Unless already does, in which case someone please point me to them STAT!)

Unlike other films in the MCU, however, I didn't have a single nerdgasm at any particular moment.  Again, this is probably very much due to my not reading much of Ant Man, and him not being as iconic a character as, say, Tony Stark/Iron Man.  (Because I think I own exactly ONE Iron Man, but he's a feature in so many titles I've read, including, of course, the Civil War mega-arc, that I knew a lot about him and his villains, sidekicks, etc., going in.)   Yes, I say 'not iconic' knowing FULL WELL Ant Man was a founding Avenger along with the Wasp.  Thing is, you ask your average, on the street fan and they will laugh and say, "ANT... man?  Really?  Ant??"  (Well, not any more, but they did.)  Also,and this I will put under a cut ) 

In fact, I am starting to be slightly irritated by the seemingly 'one woman per film' rule Marvel has going on.  Yes, we get a five second cameo of another one and that person's story was critical to the plot, but... COME ON.  As much as I adored the 'heist crew,' I fail to see why ONE of them couldn't have been a lady.  The get-away driver, maybe?

Yes, Hope Pym was fairly bassassagain since this might be significant later... )--though my complaint there seems to be that badass is  the only mode Marvel can do lady in, atm (well, badass or vaguely undeveloped in the case of the Wanda Maximoff/Scarlet Witch in Age of Ultron.)  So, besides "child in distress," I could have used a few more female faces. Marvel has a lot of female superheroes to choose from, and, you know, statistically there are just more of us alive at any given time.  


I'm a huge Marvel fan.  I had fun at Ant Man.  This isn't a huge 'boo.'  I just think it's one of those thing that I'm putting on my 'watch this' list.



lydamorehouse: (more renji art)
For the month of February I'm going to have the weirdest schedule.  Mason has Inter-Session at his school.  Inter-session is Crossroad's answer to not having a traditional summer vacation.  Mason has three weeks off from school now, will again in May, and then have the month of August off.  There are school programs if people have work issues, but we've always found a lot of value in the whole idea of taking time off to do the nothing Shawn and I remember fondly doing a lot of in the three months of summer vacation.  Other Crossroad's families take vacations.  For instance one of Mason's good friends is flying to New Zealand right now.

As you know, I've started a new job. I didn't feel entirely comfortable telling my new employer that I'm planning on just blowing off work for an entire three weeks (though I will feel *just fine* about it come May, because then I will have worked there a lot longer.)  The point is, I've agreed to work a bunch of evening hours.  Tonight I'll be at Roseville from 5 to 9.  I'll be at Maplewood tomorrow night, and then back to Roseville Thursday night (which I belatedly remembered is supposed to be Wyrdsmiths.)

Working nights is weird.  I'm sure I'll have other observations about it, once I've done it a few weeks in a row, but I think I sort of kind of like it.  What I like about it right now is that I feel like I have the day off, even though I don't.  For instance, I have the whole day to get stuff done. I'm sure I'll be super productive and do ALL THE THINGS.

IMG_7509
(Miss Ball's opinion about how well that'll probably work out.)

But today is the day that I usually meet with some member of my writers' group to parallel play.  In other words, we sit together and write.  It's kind of our answer to the solitary life of a writer.  And, it can be a lot of fun, because you have an audience who understands when you'd rather be playing Solitaire or can't remember a synonym or just want to read the cool line you just wrote that you're super-proud of.

In other news: last night, Shawn and I finally saw "Elysium."  That's the science-ficiton film with Matt Damon and Jodie Foster? The one where the rich people have moved off Earth to a kind of Niven-esque ring world/L-5 colony?  Yeah, that one.  The one that looks super gritty?  Yeah, it was grim.  About as grim as I expected it to be, but it totally pushed some of my class buttons (in a good way.)  I long ago confessed to [livejournal.com profile] naomikritzer that a science-fiction trope that ALWAYS works for me is "stop the line"/labor strike stories.  They'll show up as Very Special Episodes on shows like Battlestar Galactica or Star Trek and every damn time (even though it's essentially the same story) I'll get little tears and my eyes and secretly think it was the BEST EVER.  "Elysium" isn't quite that story made large, but there're elements of that trope in the movie... particularly the end, which I won't spoil beyond that.

There was a surprise character moment for me in "Elysium."  There's a mercenary/thief/fence-type named Spider who is pretty loathsome when you first meet him, but it becomes clear throughout the course of the film that he's weirdly... altruistic and kind of has been all along if you think about it for a few minutes.  He was my FAVORITE character, honestly.

So thumbs up?  Maybe.  I wouldn't necessarily tell you to go out of your way to see "Elysium," but I wouldn't warn you off it either.  I ultimately enjoyed it.  But Shawn had to look away several times because it was so gritty-dark and the beginning is so unrelenting that she kept asking, "Should we turn it off? Is this just going to be AWFUL??"  I'm glad we stuck with it, but, see: I can't exactly recommend it without reservations.

We were able to watch a movie like that last night, though, because Mason was PASSED OUT.  He'd had a sleepover the night before (Sunday to Monday, because of Inter-Session) and I kind of intentionally ran the kids around on Sunday.  Mason's buddy is a bit of a couch potato otaku, which are in point of fact MY people, but Mason can get irritable and restless if he sits ALL DAY.  So we let them game well into Sunday night and then yesterday I got them involved building marble towers (those Rube-Goldberg-type things) and then took them sledding at the St. Paul Country Club's golf course hill.

IMG_8731

So, yeah, there's a date stamp now.  That's not from my camera, but from the stupid Mac iPhoto.  (Man, I hate Macs. I don't know why people are such proponents.)  At any rate, they had a lot of fun, but the rest was that Mason crashed sometime before dinner and we couldn't even rouse him to eat.  So, he slept until this morning--a whopping 13 and a 1/2 hours!  I told him he's getting practice in for being a teenager!

Kaiju!

Jul. 24th, 2013 09:02 am
lydamorehouse: (more renji art)
My friend [livejournal.com profile] naomikritzer has a theory that the way "Inglorious Bastards" was pitched by Quentin Tarantino was that he was sitting around at a bar with a bunch of Hollywood types and started saying, "You know what never gets old? Killing Nazis!" I now have a similar image of Guillermo Del Toro selling "Pacific Rim" by saying, "You know what would make Gozilla better? Giant Robots!"

By happenstance I ended up going out with my movie buddies, [livejournal.com profile] seanmmurphy and Eleanor Arnason, to see "Pacific Rim" last night (in 2-D). I actually called Murphy last night to hear about his baking bread date with a five-year old and somehow in the course of that conversation I ended up on a movie date with my two movie besties.

I have no regrets.

Eleanor, I think, might have preferred to stay home and play Solitaire on her Kindle.

The fun of "Pacific Rim" can be summed up pretty simply: "There were monsters! There were robots! They fought!" I think Del Toro let you know that was the kind of film he was making in the ten minute introduction/montage at the very beginning where our big set up to the world of "Pacific Rim" was simply: alien monsters are coming out of a rift/wormhole in the bottom of the Pacific Ocean, we called them kaiju. We built giant robots to fight them. We got really good at killing the kaiju, and then suddenly things were different and it got harder...

That's all the plot of the entire movie, except like any good shonen action storyline: when things get harder, we FIGHT harder. The kaiju power up! Oh, no! We must power up! This cycle is on repeat until someone wins (hint: it's always us.)

If you go into this film expecting even ONE IOTA more than this, you're sure to be disappointed. Snappy dialogue? Nope. Amazing world-building? A little. As has been discussed on io9 and other places, there's some science in this fiction. The way that the robots are operated has a lot of fun world-building thinky-thoughts. Compelling characters? One: Mako Mori (played by Rinko Kikuchi), but she's not the main character--though, IMHO, she should have been, as her backstory is the most compelling AND her moment of honor and revenge is by far the more satisfying (and involves a sword!)

Like the original "Godzilla" import that Mason and I watched (see my review here: http://lyda222.livejournal.com/255084.html), "Pacific Rim" should really be about the Japanese character(s, in the case of the original.) The Western story feels a bit pasted on. That would be a weird intentional homage, so I have to simply assume that the bad storytelling was a mistake.

In fact, Eleanor argued that "Pacific Rim" was dull and could never be called a "good" film. I think we were arguing semantics last night because, for me, "Pacific Rim" was more fun than good. I had no expectations of good. (There were monsters! There were robots! They fought!) More to the point, a film like this can never be "good," though I thought it was tremendously fun (There were monsters! There were robots! They fought!) The visual effects were, sadly, occasionally muddy (it would have been AWESOME as Anime), but there were monsters....

You get the idea.

I would totally recommend the movie to any Godzilla fan. It you can shout out Gamera! or Mothra! with glee, this film is for you. If this....

godzilla2

...makes you unaccountably happy or brings back fond memories of late night movies as a kid, "Pacific Rim" is for you.

Because, there were monsters! There were robots! And they fought!
lydamorehouse: (more renji art)
First of all, I have to let people know that an anthology my short story "God Box" is going to appear in is doing one of those kick-starter things, so if you're inclined, please help them out at: http://www.indiegogo.com/projects/king-david-the-spiders-from-mars-tales-of-biblical-terror. The anthology is a follow up to SHE NAILED A STAKE THROUGH HIS HEAD, which featured Biblical horror stories. This one will be called KING DAVID AND THE SPIDERS FROM MARS. My story, alas, takes place on Ganymede, and while it doesn't feature any spiders, does retell the golden hemorrhoids story. Because golden hemorrhoids are horror.

In other news, I've been somewhat incommunicato because Mason returned from Indiana with a cough that was very reminiscent of Whooping Cough. So, we kept him out of school for the past few days until the test results from the clinic came back. I'm pleased to be able to say that they were negative. He's back at school today--although very, VERY bummed about it. I thought we might be out a while so I took him to the library yesterday and we had a little checking out "accident" of about twenty-one books. And, yes, he'll read most of them by the time they're due back--partly because at least five of those were Toriko manga, all of which he finished yesterday before bedtime.

Mason is not fond of school. It cuts into his reading time.

My only other "news" is that Shawn and I finally watched "Magic Mike," the stripper film. I should preface my review by saying, you know, I like pretty men. I like watching pretty men get semi-naked. Yeah, I'm a lesbian, but I can appreciate all the glistening rock-hard abs and whatnots. But OMG THIS FILM WAS BORING. Let me give you some sample dialogue: "So... um, like, hey." [long pause] "Hey."

I'm not making this up. It was as if the director decided to be "artsy" and go for hyper-realistic dialogue. That can be cool, but ONLY IF THE CHARACTERS AREN'T MORONS. Seriously, the two main characters Mike and Adam have mind-numbingly stupid conversations for hours. Most of which were made up of those kind of grasping, half-finished sentences that dripped into other thoughts without any context or preamble. Characters who were "fast talkers," ie anyone who completed a sentence in less than twelve hours, really stood out. Okay, that's an exaggeration, because it couldn't have possibly been actual _hours_, because the film is only a couple of hours long, but holy shit it felt like a glacial age was passing before these two dolts of supposedly sympathetic main characters said anything of substance. Oh, and I should say that substance usually was signaled by, "Shit. Fucking shit, man."

Yeah.

And the there was dancing.

The dancing was fine, honestly, as it picked up the pace of this film by lightspeed jumps, and Matthew McConaughy's charcter had potential. Actually, they all did, but the story was hampered by DULLNESS. The love interest spends half her time looking so depressed to be there that I finally decided she was a symbol of THE AUDIENCE.

Shawn kept saying to me, "Can we turn it off now?" I doggedly said, "No! It will get better! People said this had a story!"

People LIE.
lydamorehouse: (more renji art)
I'm pretty sure my dad has a secret identity--as Leonard Nemoy. The older Leonard Nemoy gets the more he looks like my father. Seperated at birth? Maybe, but I can tell you this for a fact: I've never seen my dad and Leonard Nemoy in the same room at the same time.

At any rate, since Mason was still away at Audubon overnight camp last night, Shawn and I hit a matinee showing of Star Trek: Into Darkness.

As I said on Facebook, my first impression was: WHEEEEEEEEE! and then, afterwards, Shawn and I sat down with the io9 spoiler FAQ , which we'd bookmarked just for this moment, and laughed our asses off. Because, as I told my friend [livejournal.com profile] empty_mirrors, ST:ID the kind of movie that really only works with your brain turned fully off, and you just sit back and enjoy the show.

Because it is quite the show. And there's nothing wrong with that.

It had been so long since Shawn was in a movie theatre, she couldn't get over the concession prices. She asked me during the previews, "Are you sure this is the right size popcorn?? For TEN DOLLARS??" Since, at matinee prices, that meant we paid more for popcorn than we did to see the movie.

It was interesting to see the movie with other people. Some people clearly didn't know the big spoiler of who Benedict Cumberbatch is playing that's been around the Internet for ages, and there were audible gasps when he revealed it. I found several laugh-out-loud moments no one else in the theatre seemed to find funny, but then I'm easily amused. (I will admit to laughing at a serious moment, and I apologize to my fellow theatre goers, but COME ON!)

A couple of other things I can talk about outside of the spoiler cut, is that I left the theatre asking Shawn what happened to the warp drive in this alternate universe. (BTW, I kind of love that ST movies have become their own fanfic, as the reboots can clearly be labeled: AU.) It used to be in OT (Old Trek, for the fandom newbies,) there were degrees of warp. "Drop us down to warp 2, Mr. Sulu." Now the warp engines are either on or off. Frankly, that makes slightly more sense than imagining a space ship hurtling through... well, time at that point, really, at NINE TIMES the speed of light. But, it's one of those things I missed, though I will say that the special effects of warp is COOL.


So, okay, building on what io9 says about the cheap shots of using old Star Trek tropes, I will say one thing that is starting to not work for me is seeing the Enterprise (nearly) destroyed. The first time it happened, I balled like a baby. Because this was OUR Enterprise that we'd been with through nearly a hundred episodes and several movies. But, AU Enterprise is nothing to me. I don't know these people yet, not really. They have the names of beloved characters, but entirely different back-stories. The same is true for this Enterprise. But seeing NCC-1701 in flames still hits me where it hurts, because LOYALTY, you know?

As io9 also points out Kirk seems to have to go though the same character arc. What would have been a good moment to prove that AU-Kirk is becoming OT-Kirk might have been after, during the year time skip, if there had been a montage of funeral after funeral after funeral until we get to Pike's. Just a close-up on Kirk's concerned face, as he hands out YET ANOTHER folded up UN flag. Because OT-Kirk was always telling his enemies, "There's 423 [or however many] souls aboard that ship" and he always knew the EXACT number, and you got the feeling that, even though it became its own trope, he gave a shit every time a red shirt bit it. And to see the captain of the ship going to petty officer Jo/Jane-schmoo's funeral is a powerful thing. I SAYS something about the character of the man. Something we instinctively ASSUME about AU-Kirk, but never get to really see.

Now, to defend ST:IN for a moment. The biggest caveat should be a reminder that all my comments/criticisms are post-high let down. I really enjoyed the hell out of this movie. io9 went on at great length about 'teh stupid' of the opening sequence. I LOVED THAT PART BEST. Why? Because it's such a beautiful homage to OT. All teh stupid was AT LEAST as ridiculous as some of the crap OT-Kirk pulled for THREE SEASONS and I loved those old shows to pieces. The irony of Spock worrying about the Prime Directive when he apparently (I'm thinking, drunkenly,) signed on to the plan that involved Kirk and McCoy stealing a sacred relic is CLASSIC FUCKING TREK. So, bite me, io9. That was the best damn part of the movie, IMHO. It does not bear nit-picking, but a person could make a career out of tearing apart all the stupid, non-science, poor planning of every single episode of OT.

Shawn was saying in the car ride into work this morning that the first scene was like the entire crew of the AU-Enterprise was like a floating frat house from the Academy. Their 'plan' seemed totally hatched after too many beers and bongs, you know? "Dude, I know, I know--let's get everyone away from the earth-killing volacano by running. Cuz, you know, no one will stay behind, and we can totally get far enough if we really haul ass. And I see NO FLAWS in this, do you?"

Makes more sense if you imagine that's how it went.

Shawn also thinks I'll start Cumberbatch-Fail if I say this, but, while I ADORE him in Sherlock, I thought Cumberbatch over-emoted every single line he had as Khan. What was up with his lips? Why so many close-ups on them? Not attractive. He actually often works for me as Sherlock, but maybe that's because with better writing and directing, Cumberbatch gives Sherlock some lovable vulnerablity. And, invulnerable Khan was a bad fit, IMHO.

Okay, YET no one has made much of the other fact that among the twist-ups of this AU is the fact that Star Fleet is now canonly evil. Khan is attempting, thoughout the whole thing, to STOP STAR FLEET FROM PROVOKING WAR WITH THE KLINGONS. Maybe we're suppose to think that turns out to be a front for him trying to rescue his crew, but he does seem to be acting the role of a peace-maker. He saves Kirk when he doesn't need to (during the blast through space.) He could have taken the Dreadnaught (btw, fan sqee! I remember the Dreadnaught in my Technical Manual,) on his own. Presumably, he was thinking "hostage," but he still would have had Scotty and Carol what's-her-name.)

Also, the time-skip kind of glossed over the fall-out from the fact that Kirk was complicit in treason against the commander of Star Fleet, but that's par for the course.

One last ramble-y thought: when I first heard the spoiler that Cumberbatch was playing Khan, I thought that maybe we'd finally see the Eugenics War. The Eugenics War is one of several OT throw-away 'historical' moments that has been fodder for my plot bunnies since I was in high school. Like, before we got the animated show, what the mysterious references to The Clone War were in the original triology of Star Wars. I was kind of disappointed that JJ Abrams missed the opportunity to start that war. What's fun about AUs is that you can mess with time lines and play 'what-ifs.' What if the Eugenics War starts later? What if Kirk and crew are a live to fight in it?

But, as usual, they didn't ask me. I could have helped. Clearly.

Iron Meh

May. 8th, 2013 08:18 am
lydamorehouse: (more renji art)
First, I want to say: library day was a big success. I ended up reading the first three Manga volumes of Naruto. (I'm totally hooked!) Mason read the newest "janitor" book as well as one called JINX, which he'd had on hold. It was kind of cool to pick out books, check them out, read them while sitting there, and return them before we left for the day. We also had money on a Noodles & Co. gift card we got for Christmas, so we had a free lunch (and they say there's no such thing!)

In the middle of the day I got a text from my Marvel Movie buddy [livejournal.com profile] seanmmurphy. He's been wicked busy, so he finally had some time to go see Iron Man 3 and did I want to go? Of course I did!

A lot has been said about this movie. I read Charlie Jane Anders' review in io9 and so I was expecting big things. Entertainment Weekly also gave it a A-.

I... was less impressed. As I've said on Facebook, I was never a huge Iron Man reader back in the day, so my comic book canon fu is low when it comes to villans and story lines in the Iron Man title. ("The Wolverine" is going to be a tougher sell for me because Silver Samurai and the whole Japan storyline was a favorite of both Shawn and mine back in the day.) But what I'm saying is, my problems with Iron Man 3 had nothing to do with any kind of canon fail... at least not in a nit-picky kind of way. But it also meant that the SPECTACLE of the suits worked for me, but only so far...

I will say in what I hope is a spoiler-free way, that Marvel very carefully gives its heroes weaknesses that are critical to the character, and I felt, at the end, perhaps Tony Stark's was severely undercut.

I think my problem was very simply that Tony Stark never changes. A bunch of stuff happens to him in this movie that sort of parallel Thor's fall from grace, but, unlike with Thor, I never felt a real transformation from Tony. I never bought he was humbled by any of it, because he remained the quippy, surface guy he was in the very first Iron Man movie (well, more like who he is in the 2nd Iron Man and Avengers, because at least in the origin story he has to go from military industrial playboy wanker to superhero playboy wanker.)


But what about the panic attacks, you argue? My problem there was that, while they were a good character moment (and possibly the first on-screen version of superhero PTS) he got over them INCREDIBLY EASILY and, more importantly, they never happened to him during battle, when losing his nerve could have actually cost himself his life OR SOMEONE ELSE's. Thus, they were kind superflious to the plot... and honestly to his character development. He doesn't seem to learn anything having gone through them, about the perils of being a hero. Sure, he's worried about Pepper and throws away his electro-magnet heart, but I just don't buy it. He'll be back. He's Iron Man. He says so at the end, which, again undercuts any real tension and character development.


So, yeah, I felt Iron Man was sort of Iron Meh.
lydamorehouse: (more renji art)
Last night Mason had a sleepover at a friend's house. They don't have school today because it's parent/teacher conference time, so said-friend invited a bunch of boys over for a birthday party/sleepover. At any rate, this meant that Mama and I got to have a date night.

The last couple of times Shawn and I tried to plan something even vaguely elaborate like going out to dinner or having people over, Shawn got horribly sick (once with the stomach bug and once with a migraine). So I told her, let's not plan anything. Let's just see where the night takes us. So, the night took us to watching BOURNE LEGACY on DVD, which I have to say is the single worst example of storytelling possibly of all time. I'm probably exaggerating because I'm sure something is worse. However, this one really stuck out because it seemed like there were several things that could have been done to fix it fairly easily. I feel like no one told the filmmakers that basic rule of storytelling: start with action. If they'd started with the cabin in the woods scene (a little character set-up) and then blown the thing up, and let OUR HERO figure out that his own people are trying to exterminate the entire super-soldier program that ONE CHANGE ALONE would have made a huge difference. Also a little "show don't tell." If the big conflict we're supposed to sympathize with our hero over is him "running out of brains" then we need to see the HORRIFYING CONSEQUENCES OF WHAT THAT MEANS.

As it was it was jumbled and confusing, and thus ulimately boring because I couldn't care less about what was at stake for our hero or the love interest.

The love interest, at least, got to have the single LEAST sympathy-inducing line of all time. When our hero is explaining why he has to take the risk to go to the next place (keep in mind he's a killer who has been losing bits of his soul with each murder he does as a tool to the system that spawned him) she starts sobbing, "You don't understand. You probably don't care, but I've made sacrifices too. I couldn't publish! I couldn't CONFERENCE!!"

Shawn and I actually laughed so hard we had to rewind. I would have ADORED this film to pieces if the Bourne-stand-in hero dude would have shot her at that point. Because, seriously, this is your big sacrifice? You couldn't watch the power point presentations! You couldn't get the tote bag! The college coffee mug! The per diem!! Don't you understand I didn't get the cheap cheeses at the meet-and-greet!!?? I missed out on the inside snark fest of Academia!!

As someone who is the child of a professor, I do actually GET that colleagues and publishing and conferencing is one of the big perks of the job. But would you really whine about it to a professional killer whose GENES you manipulated as part of your "research"?

Did I mention she was living in a gorgeous Victorian on a 100 acre lot?

But she COULDN'T CONFERENCE, people!!! Don't you feel her sacrifice!?

Okay, all my professor friends. Feel free to tell me I shouldn't mock. I mean, how would I feel if I could never attend a science fiction convention again? Hmmmm, yeah, still I'm not feeling the HUGENESS of that. Sorry.

In other news, I continue to be a weirdo. I know. Alert the media, right? I say this because yesterday afternoon Shawn had a hair appointment in Edina at the "Hair Police." I always wait for her at a nearby Starbucks. There, I overheard a barista talking about how Nikolai Tesla invented "I mean, like, everything, man. EVERY-thing." I had to at least support him to his friends who didn't seem to have ever HEARD of Tesla, but then we got into an argument about genuis and insanity.

I have to admit this is a personal pet peeve of mine. I kind of hate that trope because I think that it makes creative people afraid of the medication they need to be stable and healthy. I think that stability and (financial, emotional, societal) support is what artists, writers and inventors need much, much more than teh crazy.

Being a weirdo I think is a fine requirement for the creative life. Being ctually medically crazy? Nope.

I'm pretty sure the people at Starbuck thought I was nuts. I mean, this is Minnesota, not New York! Not only did I barge into a conversation with strangers, but then I argued with them! Werid-O! :-)
lydamorehouse: (Default)
St. Patrick's Day Observed was for us, as it was for a lot of people I suspect, Saturday.

We took Mason to his usual swimming lessons in the morning -- alas he didn't pass to level 5, but, tbf, "stroke improvement," which is where he's at is very hard. This is also a Red Cross program so they don't just automatically pass anyone who shows up enough. There are serious standards.

Our big social event was the party at [livejournal.com profile] naomikritzer's house, where we were looking forward to ingesting the traditional corned beef and cabbage. We were not disappointed. I had a great time talking to [livejournal.com profile] pegkerr and her daughter and seeing [livejournal.com profile] haddayr and family again. The only lampshade/dim shablows moment was that I think I may have actually gotten a bit buzzed on the trifle (which is pretty sad. But, yes, I'm that much of a light weight.)

Mason kept us there quite late because he joined a game of "Clue." But I think good times were had by all.

Sunday was a complete pajama day, so I was an utter slug and did nothing useful. We tried to watch "Branded" last night--a science fiction film about advertising (in Russia.) It was... surreal. There was a burning of a red heifer and attack logo muppets. And those are the easily accessable parts. YEAH. If I were feeling more coherent I'd summarize the movie better and maybe even offer a review, but I'm not sure my brain is up to trying to explain the "space cow"/voiceover.

Unlike Shawn, I watched it through to the bitter end. I should have recorded the recap I gave her in the bathroom while she was brushing her teeth, but all you would have heard was a lot of 'what?' and 'are you serious?' and laughter.

Yeah, so it was called "Branded," and you could give it a miss, I think.

Today, I'm trying to work on Elite Forces, but I keep getting distracted by research into the Red Planet. Shawn found me a copy of THE CASE FOR MARS: THE PLAN TO SETTLE THE RED PLANET AND WHY WE MUST by Robert Zubrin, which I've started to read. I also listened to a couple of podcasts on Mars, and discovered a lovely site called "Universe Today", and their Guide to Space (not, alas, the Hitchhiker's Guide, but close enough.)

So total word count ON PAGE was pretty sad. I did a good amount of research, though.
lydamorehouse: (more renji art)
I have a reoccurring nightmare. It involves getting on an elevator, often at a business, but sometimes at a high-rise dorm (which I had at my alma mater). I press the button to go to the floor I need, and suddenly the elevator goes too fast, has no walls, spins around, goes sideways, or any number of Charlie and the Chocolate Factory sorts of options. It's not the kind of nightmare where I wake up screaming for my mommy in a cold sweat. It does, however always stick in my mind and disturb the calm of the day afterwards with fleeting memories of the dream sensations.

Last night, my subconscious came up with a most clever solution. When you see an elevator, don't get on!

Brilliant.

Of course, I then spent the rest of the dream trying to rescue a friend who did get on the elevator and thus had fallen into the clutches of some evil half-way house for at-risk teens. Me and the cab-driver (the character of "Sasha" from EastEnders) and I came up with all sorts of distractions in order to save this young man... which we eventually did by bringing the building super in. That's where things go weird in a very dream-like way... however, the point is, I saved the boy AND DIDN'T RIDE THE ELEVATOR. A good night.

I'm pleased to have had such a successful subconscious because last night people were wrong on the Internet again. I got into a very brief Facebook fight with a friend who had posted a link to this: Conor Lastowka's Tumblr comments, a sort of backlash to io9's decision: http://lastowka.tumblr.com/post/37204317766/fff.

There are only a couple of things I want to say. The most mature of which is, "Nyah, nyah, nyah, shut up, we won!"

The second is actually in response to something my friend said on his Facebook status. He suggested that fan fic writers were inviting criticism by posting their work in a public forum. He said that everyone takes their lumps as creative artists.

My first response was a gut-level "yeah, but we're professionals, those are the dues we can expect to pay..."

But, I was thinking about that a lot as I was falling asleep because, you know, he's right. Fic forums are public venues. However, the analogy my brain came up with was this: fan sites are as public as, say, a gay bar. The Gay 90s is a public place. Everyone is allow in, but there's an assumption that those of us who go there are entering a space just for us, where we can be surrounded by like-minded folks. It may not be officially a safe space, but there's a sort of assumed privacy. No one is expecting a straight reporter from Comedy Central to bust in and start mocking someone for wearing lame pants.

I think the analogy is especially useful because one of the things that I felt like was happening was an "oooh, look at the kinky weirdos" parade. Sherlock enema fic! Water sports Harry Potter! And, as a lesbian, I find that sort of thing particularly hurtful, because not that long ago, what I did in the privacy of my own bedroom was considered a disease.

And of course some fic writing is dreadful. Some pro writing is dreadful. 'Nuff said. Because, you know, the good guys won this one. So I'm going to let it go.

Updated to add: So my partner, who often acts as a "clipping service" sent me a link to this early review of the The Hobbit movie from the Hollywood Reporter: http://www.hollywoodreporter.com/movie/hobbit-an-unexpected-journey/review/397416

I particularly resonated with this quote, "If The Hobbit had been filmed shortly after the book's publication in 1937 (it's a wonder that it wasn't), one easily could imagine a lively affair full of great character actors and cleverly goofy special effects that would have moved the story along in smart style in under two hours." Except, I'd like to see THAT movie with TODAY'S special effects.

I was expecting to be disappointed, particularly when I found out that Mr. Jackson was breaking this movie into three parts. But, it was kind of my Captain America. I was holding out hope that, despite my fears, it would turn out ridiculously awesome. Because, like Captain America, I have a lot invested in the Hobbit. Of all of JRR Tolkien's works, THE HOBBIT is my favorite. It is the first "grown up" book that I remember reading cover-to-cover and more than once. It's also Mason's favorite, and, thanks to him, I've read the entire book out loud. It's a cleverly funny book (reminiscent, in my mind, at least, of the soft, domestic humor of Beatrix Potter,) and, actually, as such things go, very fast-paced with a lot of action and a F*CKING AWESOME DRAGON.

So, I'm still hoping that the reviewer is wrong, or, conversely, that it turns out I'm one of the purists who will enjoy the crap out of the extended version. Fingers remaining firmly crossed!
lydamorehouse: (Default)
Even though Shawn thought I was fairly crazy, I went out last night with some folks I only sort of know through the Internet and fandom to the midnight showing of "Thor." More than that, I paid over twice the usual price for movie tickets for the privilege.

But you know what? It was AWESOME.

I need to preface anything I have to say about the film by the fact that I'm NOT, nor have I ever been, a Thor fan. As I said before, I remember looking over my cousin Laun's shoulder at various Silver Age issues of Thor. I vaguely followed the Beta Ray Bill storyline of the early 80s. But Thor was never a title I sought out or bought for myself. Of course, I knew about him from his various interactions with the Avengers and other titles that I preferred.

Part of my inability to attach to Thor as a character is, in point of fact, the whole God thing. I was never a big fan of Superman because I like the heroes that bruise more easily. For me part of being heroic is the courage it takes to stand up to powers much stronger than you are. Thor is a freaking God. Hard to be stronger than that.

On top of that rather major character issue, I was also a snotty kid. I thought the title was full of people with strange names and hard to pronounce words, like, Mjöllnir. Plus, people talked weird (and in a weird font) on Asgard. They had very stylized costumes and Jack Kirby made everyone look square (literally) and kind of grumpy.



The writers of the movie deal with the God-issue very nicely, IMHO. I don’t think it’s a spoiler to tell you that, in the movie, Thor gets cast out of Asgard for being a self-centered git. Odin strips him of his powers and, he spends the rest of the film attempting to be worthy of Mjöllnir again. For me, that’s a classic Marvel conundrum. It’s like Spider-Man’s “with great power, comes great responsibility” only it’s more like, “heroes need humility as well as strength to be truly great.” Though, humility isn’t quite the right word in this situation. One of the things I love about what the writers explore in the Thor movie is the idea of what it means to be a hero. The turning point in the movie actually stirred me. I cared about Thor enough to care whether or not he came through the other side of his challenge.

That’s pretty miraculous, IMHO, since normally I could care less.

It helps, though, that the actor who plays Thor (Chris Hemsworth) is a complete hottie. (IMDB just informed me that he played Kirk’s dad in the Star Trek reboot. Cool!)

I also really ended up liking what they did with Loki, who, from my memories of the Thor comic books (which, granted is very sketchy), could very easily have been played as a larger-than-life EVIL villain. What they did in the movie, IMHO, was make him the hero of his own story in a way, frankly, that I found very sympathetic. Both Thor and Loki have serious daddy issues/needs to prove themselves MEN, but they manifest completely differently.



I went to the movie with David J. Schwartz (author of Superpowers) . He was saying that what they did with Loki in the movie is very different from Thor canon. This is one of the moments where not being a hardcore Thor fan probably helped me enjoy the movie more.

Also, my other companion did not like the look of Asgard, but, for me, it looked exactly like something Jack Kirby might have imagined. In fact, all the costuming on Asgard really felt Kirby-esque to me, which could either be a plus or a minus depending on how you feel about his particular style. Though (and I realize this is sort of blasphemy) I normally am not a huge Kirby fan, I thought it really worked in the film.



My last couple comments about the Thor movie is that it seemed clear to me that Kenneth Branaugh is a big, fat fan (very likely of Silver Age Thor). There were lots of “money shots” early and often, including spinning hammers and lightning strikes. I laughed out loud (and sometimes by myself) at a few of the fan insider jokes, including what it probably the best Stan Lee cameo of all the Marvel films.

The biggest flaw in the film was Natalie Porter, who played a revised version of Jane Foster. It was hard to imagine her as a love interest, especially since Darcy Lewis (played by Kat Dennings) is WAY cuter and funnier. I totally fell for her in the movie and could not understand what Thor saw in Jane.

Anyway, for me, it was one of the best Marvel films to-date. Right up there with Ironman (#1).

June 2025

S M T W T F S
123 4 5 67
891011121314
15161718192021
22232425262728
2930     

Syndicate

RSS Atom

Most Popular Tags

Style Credit

Expand Cut Tags

No cut tags
Page generated Jun. 9th, 2025 04:38 am
Powered by Dreamwidth Studios
OSZAR »